![]() ![]() ![]() “From the historical evolution of landscape preservation advocacy in the 19th century to environmental justice in the 21st, and from the fictional representation of virtuous icons like Superman and Wonder Woman to documentation of pervasive social injustice affecting everyday Americans, these exhibitions challenge students and the public to reconsider their perceptions of justice over the last two centuries of the American experience.”įurther information on the Addison’s 2019–2020 exhibitions follows below. Crosby Kemper Director of the Addison Gallery of American Art. “Radiating from the museum’s central question- What Is America?-the Addison’s 2019–2020 programming explores the notion of justice in American art and life,” said Judith F. The fall 2019 cohort of students in the ART400 course at Phillips Academy will mine the museum’s robust holdings to conceptualize and realize an original exhibition and George Washington: American Icon will examine the image of the general-turned- president in American visual culture. ![]() Franco, and Heidi Whitman to engage with Phillips Academy’s extensive collection of maps and create new work exploring how the land has been claimed, constructed, and reconfigured throughout history.Īlso on view during the 2019–2020 academic year are two exhibitions drawing on the Addison’s collection of more than 23,000 works of American art. Elson Artist-in-Residence Program inviting contemporary artists Sonny Assu, Andrea Chung, Liz Collins, Spencer Finch, Josh T. in collaboration with the Gordon Parks Foundation and Wayfinding, an initiative of the Addison’s Edward E. Major initiatives for the 2019–2020 academic year include A Wildness Distant from Ourselves: Art and Ecology in 19th-Century America, an exploration of the evolution of the European American understanding of the natural world Men of Steel, Women of Wonder, an exhibition looking at the golden age of superheroes and their influence on contemporary perceptions of “truth, justice, and the American way,” organized by Crystal Bridges Museum of American Art, Bentonville, AR Gordon Parks: The New Tide, Early Work 1940–1950, the first museum survey to focus on the formative first decade of the seminal American photographer’s 60-year career, organized by the National Gallery of Art, Washington, D.C. ![]()
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